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A magical and mysterious atmosphere, guided by the soloist flute characterizes the introduction of this piece. The entrance of the bass drum and a chorus of deep basses like in the Dies Irae makes the feel more sinister and introduces the listener through the door of hell. In a continuous crescendo,
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The composition op. 49, n.4 Wiegenlied: Guten Abend, gute Nacht by Johannes Brahms is known in Italy with the translation of the title "Ninna nanna" (lullaby). In this version for glockenspiel it takes on the classic sound of the carillon.
Suitable for Christmas applications, images of childr
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This composition, divided into four fragments, describes the desolation that accompanies and follows the war events.
The first fragment proposes, on a background of strings, the main theme presented by the oboe. These notes, inspired by the images of the fighting on the Karst during the First World
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Rural track, its cheerful accordion brings to mind the beauty and grandeur of the freedom of wide spaces immersed in nature to be traveled at full speed by bike, on horseback or on foot.
This piece is pure energy and vitality, an explosion of flavors, colors and perfumes.
Suitable for: adver
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This composition proposes the style of the Venetian Rondo, which melts the string melodies typical of Baroque music (Vivaldi) with the accompaniment of bass and drums of pop and rock music.
Suitable for theme parties, documentaries, reportages related to culture, wedding videos.
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A soft piano blends delicate and transparent sounds with more incisive and fast tones, follows and describes sweet and subtle figures, sometimes lovely, showing their most intimate and pathetic side.
Originally composed as an accompaniment for a love monologue in a theatre show, it is also su
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Suspence strings announce the presage of an incumbent tragedy ... the earthquake ... strikes down the city, with its fury destroys memories, homes and families. The notes of the piano (in Yann Tiersen style) rise one by one and they fade out like tears on the faces of the survivors, unarmed witnesse
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No, it is not the adagio from a sonata by Wolfgang Amadeus Mozart ... it sound more like, with respect, to a piece by Richard Clayderman or Giovanni Allevi. More simply, it is a piano composition able to recreate a relaxing atmosphere with gay and pleasant tones, a light song of love.
Suitable